Museums all over the world are
saddled with the responsibilities of collecting objects (both tangible and
intangible heritage) which are of national importance for the primary purpose
of conserving, researching, and exhibiting these materials remains of our
forebears. These collections convey a significant message or messages which may
be historical, religious, economic and technological aspect of man’s heritage
and development.
“Museums collect and preserve both
tangible and intangible evidence of man’s history, creativity and the physical
aspects of the world he inhabits.” (K.N Monin and A.I Okpoko 1990).
According to Burcaw (1975) what
determine any kind of museum are the kinds, volume and the quality of objects
in its collection and the use to which these collections are put. Collections
are the starting point of a museum. The principal function of the museum is to
collect objects and specimens for the benefit of the public presently and for
posterity.
Material collections in Nigeria is an
age long activity of man dated back to the early Stone Age period long before
100,000 years ago. These collections
were made for different purposes i.e. economic, social and religious purposes. By
11,000 years ago, late Stone Age hunter/ gatherer find their ways to Nigeria up
to at least, the forest fringe (Iwo-Eleru microlithic tools, pottery and
skeletal remains). Pottery making was already predominant in the Jos Plateau
northern part of Nigeria at about 5th millennium B.C (Shaw 1978). From
the 5th century B.C. technological and cultural entities like the
Nok (terracotta figurines and sculptures), Taruga where there are evidence of
iron working and Ife where Terracotta figures were also discovered.
Museum collections varied widely from
one museum to another. They range from collections of science, art, specimen,
historic objects, and natural history specimen such as zoological garden. Museum
collections are mainly for public interest; they serve as reference materials
of aesthetic and educational importance and values. In whatever ways we tends
to look at these collections, they comprises of both historic and contemporary
works of art i.e. artifacts and antiquities. These collections are very
precious to the museum professionals, for the primary reason of museum
existence depends on the availability of these collections. Therefore, these
collections must be well taken care of.
Types of museum collections
1.
Archaeological
collections
2.
Ethnographical
collections
3.
Scientific
collections
4.
Natural
History collections
5.
Zoological
Collections
SourceS of collectionS
It most first be understood that what
a museum will collect depends on the type and the scope of such museum. Although
museum collects virtually all objects that comes it way, each new addition must
be well taken care of as well others.
However the following are the various
way in which museum acquired its collections.
1.
Exchange
2.
Purchase
3.
Donation
/ Gift
4.
Bequeaths
5.
Seizure
6.
Loan
7.
Excavation
Museum collections grow through
various sources but we must be very careful to avoid accepting objects with
conditions attached.
WHAT TO CONSIDER BEFORE
COLLECTING
Before a museum can embark on
collecting objects into it object bank, it must first take into consideration
the following.
Orientation
of the documentation staff. How informed are those handling the documentation of such collections. Orientation
will enable documentation staff to be well equipped with the knowledge and
procedure for proper documentation.
Availability
of documentation materials. This must be considered before embarking on objects collection.
Materials such as stationeries and equipment must be made available.
Availability
of storage facility.
The capacity of the museum storage determines what the museum can collect. The
museum must consider whether or not it has enough space to accommodation any
new addition.
Availability
OF racks in the store.
The racking system in the storage area must be considered. This will determine
what the museum should collect. Does the store have wardrobes / cupboards, drawers
and boxes of different sizes and shapes? This is because, these collections
come in different sizes and shapes, therefore their method of storage must be
in conformity to their sizes and shapes.
Availability
of conservation laboratory. Conservation laboratory should be provided before collecting objects
into the museum. This is because any new addition into the museum is a potential
threat to the entire museum collections. Some of these objects maybe infested
with any kind of pest / disease and bringing them into the museum without
treatment expose the entire museum collections to pest / disease infestation.
Furthermore, the general health situation of objects in the storage must be
taken into consideration such as the relative humidity, average temperature of the
area, the level of sunlight etc these can only be determine by the conservator
if laboratory is fully equipped
CLASSIFICATION OF MUSEUM COLLECTIONS
Classification of museum collections
can be made according the material the object is made of e.g. wooden, metal,
etc. We could also classify them according to their usage e.g. religious,
ceremonial, agriculture, housing / shelter, warfare, transport and aesthetic
collections.
1.
Religious
collections: These
are generally objects which are used for worship irrespective of the religion.
It should however be noted that most of these objects depict traditional
religion. The existence of these objects in some part of Nigeria has necessitated
the creation of some museums like Essie Museum which comprises of soapstone. Some
of these objects of worship include amulets, Ibeji figures, facemask, Islamic
manuscripts etc.
2.
Housing /
Shelter collections:
These include collections such as MOTNA, Gida Makama House etc. and other
housing related implement like domestic utensils such cooking pot, ancient
plates, mats and housing materials like doors, door panels, house post and
windows. Koko museum in koko village, delta
3.
TRADE: These are collections which are used
in trade and trade related activities irrespective of the era of trade. These
objects or collections include items like slave trade materials e.g. chains,
padlocks, handcuffs, palm oil cans, manila, cowries, beads etc.
4.
Ceremonial
collections: These
refer to objects which are use for traditional ceremonies. They range from
traditional drums, Regalia, staff of Office, Musical Instruments, facemask etc.
5.
Warfare
collections: These
are implements which are used during war for protection against the enemies,
and they include Dane gun, sword, spear, cutlasses, local shield etc.
6.
Agricultural
collections: These
are agricultural implements such as those of farming, fishing etc.
7.
Transport
collections: These
are collections that depict mobility, they include all forms of transportation
e.g. cars, saddles, canoe and rail.
ANTIQUITIES AND ARTIFACTS
Museum collections consist basically
of two major types. These are artifacts and antiquities.
Artifacts:
These are objects or collections that
are less than a century old but just like antiquities they also have aesthetic,
cultural as well as historical values.
They are basically objects made by man.
ANTIQUITIES:
1.
Antiquities
are any objects of archaeological interest in which it is believed to have
existed for a century and above.
2.
Any
relics of early human settlement or colonization.
3.
Any
work of art or craft including any statue, clay figure, cast in metal, carving,
house post, door, ancestral figure, religious mask, staff, drum, ornaments,
utensils, weapons, armours, regalias, manuscript or document and if such work
of art or craft is of indigenous origin.
4.
Any
object or work of art fashion before the year 1918.
5.
Any
object or work of art that is of historical, aesthetic or scientific interest
and is or has been used at any time in the performance of any traditional
ceremony.
Factors to consider before accepting object into
the museum
1.
The
significance of the object.
2.
The
Variety
3.
The
aesthetic beauty of the object. This depends majorly on the type of museum
4.
The
author or maker of the object
5.
The
method of production
6.
The
age of the object
7.
The
research purpose in which the object will be subjected
ACCESSIONING
As objects are brought into the
museum, these objects must been formally and legally accepted into the museum
collections. This process of accepting these objects is what is referred to
accessioning. When accessioning, object are acquired or received in an
ascending order, which is, according to the way in which they were received.
These objects will then be assigned accession numbers serially e.g.
IB.P.2013.1.1, IB.D.2013.1.2, IB.S.2013.1.3 etc.
This is one aspect of accessioning;
the necessary preventive / curative conservation treatment is also part of
accessioning. Accessioning of the object continuous right through the process
of keeping the object in its respective equipment or rack in a clean storage.
Before any object should be accepted
into the museum collections, the following questions should be answered.
- Is the object relevant to the museum mission and scope of collecting
- Was the object lawfully acquired by the vendor and if of foreign origin, was it imported in accordance with the international law.
- Do the owner/ vendor of the object have legal title to the object and therefore have the right to transfer / sell same.
- Are there any other parties with interest in the object?
- Does the object have any legal obligation or constraint?
- Will the object pose any danger or threat to other objects or staff?
DEACCESSIONING
This is the total removal of object
or objects in the museum. De-accession is mostly done as a result of a need in another
museum or as a result of an object being in a terrible state or condition and
such object does not serve the museum purpose any more. You must note that
de-accession is different from loan, because it is permanent removal of object
or objects from the museum collections. Any museum that is de-accessioning any
of its object must ensure that it has more than one of such object or that such
object fall out of the scope of the museum.
METHODS OF DEACCESSIONING
1.
Exchange
with other Museum
- Transfer to other Museum
- Sale to other Museum
- Long-time Loan to other Museum
- Gift / Donation to Institution for research Purposes
- Destruction
ETHICS OF COLLECTIONS
Collecting ethics deals with the
morals which must be observed during any collecting activity. It is the code of
conduct that guides professional collecting activity and care of museum
collections. This enables the museum professionals to discharge their
responsibilities to the collections and public for whom the collections are
kept.
The following are the ethics of
collections
- Management of collection: This constitutes maintenance of the collections. It covers the conservation aspect (both the preventive / curative conservation). Each of these collections has a body of information which makes it important. This information must be properly maintained and kept in an orderly and easy retrievable manner before successful collections can be achieved or else the value of these collections will be diminished.
- Accessibility: The Museum must be ready to make easy access to its collections. The public is entitled to have a reasonable access to these collections. Although the museum has a primary obligation of safe-guarding its collections.
- Truth in Presentation: When displaying objects in the museum, the exert truth about these collections must told irrespective of religion or cultural affiliation. The exert information must be outline in a summary form.
- AUTHENTICITY AND PROVENACE OF OBJECTS
The provenance and authenticity
of objects brought to the museum must be investigated before acquisition of
such object. This is to ensure that such objects are not stolen. Hence
collecting museum, must only acquired objects whose provenance can be
established.
Conclusion
It is pertinent to know that museum
collections of whatever types have a vital role to play in research. Indeed one
of the justifications for any collection is that it forms permanent body of
research materials for future generations; therefore without accurate records
or information the value of these collections is insignificant. These
collections if properly documented constitute research facilities or aid to the
museum staff and the general public.
It must however be noted that the
value of these collections in the museum is not in the size but its utility.
REFERENCE
Alex, I. Okpoko. 2006. Fundamentals
of Museum practice, Afro-Orbis Publication Limited Nsukka.
Bassey W. Andah. 1990. Cultural
Resource Management: an African Dimension, Wisdom Publishers Limited, Ibadan.
International Council of Museums
(ICOM), 1990. Statues and Code of Professional Ethics. Paris. ICOM.
Kerri H.O. (n.d) Guide to
Documentation. National Commission for Museums and Monuments, Lagos.
Lord B., Lord G. 1989. The Cost of
Collecting - Collecting management in U.K. Museums. London.
Messenger, P (ed) 1989. Ethics of
collecting Cultural Property. New Mexico.
Olaniyi, R. 1982. African History and
Culture, London.
profitable information, thank you.
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